far too easy 2010


Far Too Easy version #2.0 15/9/2010. (c) words and music 1993, 2009, 2010 Cameron Pyke. (c) recording 2010 Cameron Pyke, Small Symphonies & Ambisonix.  Recorded on the Calrec Soundfield Microphone by Ambisonix.

Please note that all recordings on this WordPress so far are work in progress, complete with mistakes and issues, recorded in one take, voice and guitar, no overdubs.  If you feel you can help me with a technical or artistic tip, you really love something, or really hate it, please leave a comment.  I may not agree with you but I’ll be very grateful for the participation. If you want to rant about a particular semi-quaver or glitch you could visit the small symphonies soundcloud and leave a timed comment right next it.

20/9/10  You may have heard this one before. If you haven’t, you might like to cast a lug at the 2009 version , and an eyeball at the words.  I listened to it a few minutes ago and was struck by just how much this song has changed.  Its whole feel and outlook has changed.  The 2009 recording is perhaps angry and desperate (and technically woeful).  Now it is sad and reflective (with the signature crystalline Ambisonix treatment). 

This is one of my more immediately accessible songs – it is strophic – has verses, a chorus and a middle eight. So this is a song that I trot out regularly at open mic evenings. The subject matter is unashamedly …depressing? Actually, it’s not. There is a small glimmer of hope embedded in it – which I didn’t realise until recently – I’m going to write some additional sleeve notes about this.  Anyway, despite the catchy chorus it’s uncompromising social / political comment. Entertainment it ain’t.

Given that at these open mics we’re sort of trying to have a good time I tend to send myself up a little.  As I see it, we can have a laugh at my expense between songs – it shouldn’t detract from the impact and the message of the song when it’s being sung.  I have been taken to task for this. A guy who had worked in radio commented that it was a powerful song and I shouldn’t do it down, sell it short.

This was recorded at the second Ambisonix session. I wasn’t as stressed out as the first time but I wasn’t properly in the zone either. I can do this more polished. In particular, the ‘guitar solo’ stumbles and needs to be less tentative, more assured.

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